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...What it is that inspires an art effort is not easily determined, much less classified....What is the source of these instinctive feelings, these vague intuitions? The more we try to analyze, the more vague they become....What does it all mean? What is behind it all? "The voice of God," says the artist. "The voice of the devil," says the man in the front row.

--Charles Ives, "Essays Before a Sonata"

 
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 picture of the church



visit the Godmusic archives to hear music from previous church services at Faith UMC

future sermon themes
(for those planning ahead)


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blogs regarding music for 'traditional' worship:

A Mysterious Stanza in 'Wondrous Love'


for praise bands:

What Key is this thing in, anyway?
My very first praise band keyboard lesson

Making a lead sheet: some observations

What does a keyboardist do in a praise band?
improvisation 101
improvisation 102
improvisation 103
improvisation 104


On Christian piano music:

An Interesting Conversation
Modulation and the Gospels
Too many Notes?

other blogs (2010)

Truth or Dare
Letter from the Recording Angel
One-note Theology
The Art of Persuasion
Yes, But Not Really


other blogs (2009)

The Imitation of Thomas a Kempis
Could it be...Satan?
Salt of the Earth
You who are evil
The Sower
Comfort ye


other blogs (2008)

What it's really all about
Can they do that?
Jesus for Messiah '08
A Letter to Martin Luther
Not to be rude, but...
The God-Sellers









At our traditional services this year, Pastor Wes Wilkey is preaching 32 sermons in tandem with the Disciple I Bible Study series, a study sponsored by the United Methodist church in which participants read 70 percent of the scriptures. The class, and the series, runs through April in canonical order. Generally, the music is chosen to correspond with the theme of the day, or some other element of the service.
Note: My recording equipment is broken, so this week's selection will have to be posted (in mp3 audio) at a later date. Sorry...

Music for September 5, 2010

        Durch Adam's Fall ist ganz Verderben
                       J. S. Bach


Bach's "little organ book" (orgelbuchlein) contains 61 short harmonizations of the hymns of his congregation, including today's selection, "Through Adam's Fall Everything was Corrupted." The tune is presented in the upper voice along with a falling motive in the pedals, and lots of slithery chromaticism, which leaves us guessing at times whether the chord is major or minor, all contributing to the unease of the listener.

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featured blog:

posted September 1, 2010

Improvisation 102

This summer I've been writing a series of articles about what a keyboard player does in a praise band, or how to play keyboards in a praise band. The initial question was posed to me by someone (via email) who wants to play in her church praise band, but apparently is used to playing written notes. So, although my first article only partially answered the question (basically by determining what a keyboard player is not required to do), I took a little detour into the world of improvisation because, unless your band is a lot smaller than mine, and your musicians have their parts all written out for them (which seems like it would be highly unusual if your bandmates are guitarists and drummers with an interest in the popular side of music), your music will not be written down at all, and you will almost be forced to improvise. And, although written sheet music versions of most of these songs exist, the sheet music version will probably cause all kinds of problems when trying to play along with the band.

Depending on your previous musical experiences, this may seem like a seismic shift. A lot of people who play written music have a very strong phobia about the idea of playing without notes which have been predetermined. Written notes provide, among other things, a recipe you can follow and be reasonably assured of getting the right result. I understand that. But, for various reasons, I decided, if you are going to be in a praise band, it is better to learn the language of the praise band literature.

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Yes, but not really.
posted August 20, 2010

Someone came up to us while we were having breakfast in a hotel last week to ask what we thought about the Islamic center that is being considered near the site of the World Trade Center. I think she assumed we would be angry about it and we would have a mutual rah-rah session. Sadly, no. I had about half-a-second to think "oh boy, here we go." Despite having the same feeling (as I found out later) my wife forged ahead with our support for the idea.

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The Art of Persuasion
Posted July 19, 2010

Some people I know have been debating recently whether the pulpit is a good place for education or whether it needs to be a place of ‘persuasion.’ In its local context, this is probably not an issue that needs to be worried over too much, since the participants are fairly educated, and presumably value learning to the extent that they are not willing to check their brains at the door just because we are talking about church. I have heard from people before who have taken a much more exclusive approach, however, setting education over and against whatever is legitimate in their theological view. In other words, education is to be driven away at all costs because it only gets in the way of any real understanding of God, which is often considered a feeling you get in your heart rather than something that involves your head. (Apparently God subcontracted the thinking parts of ourselves to some of his lesser angels…)

One of the discussion participants used the phrase “turn[ing] the pulpit into a classroom,” which has the kind of boundary-setting ring to it that was probably used by many of our Methodist forebears to justify the complete lack of any educational content whatever. They read the Bible and that was just good enough for them, thank you very much. No other learning necessary, or wanted. Not that 19th century itinerant preachers had a monopoly on this trait. Warding off anything tainted by education is a talent shared by many a denomination, and goes back to several of the early church fathers as well.

I’d like to imagine that we are all sophisticated enough in this university town that we don’t mind when our pastor gives us some context for the scripture he is explaining, before exhorting us to do whatever it is we are being exhorted to do. And I’m not unaware of the ineffectiveness, not to say boredom, of giving out all exposition and no development. But this subtle distinction has not always been made by writers of the church, who forget Paul’s admonition that we ‘also worship with [our] mind[s]' (1 Cor 14:15) and have instead made the mind a great enemy. Apparently the devil wants us to think; God asks us to feel.

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Improvisation 101

I have a strange way of doing things sometimes: someone asked me what a keyboard has to do in a praise band, and in my last post I basically said, well, nothing really. This is not the kind of answer you want to give if you are trying to stand up for the importance of something. Remind yourself not to invite me to speak at your next rally for funding of the arts!

But the method behind this insanity was this: many people who are trained as musicians come at praise bands from the standpoint of one who has been playing written music all their lives. The way we relate to music is to play all the notes on the page. Except that in the world of praise bands, there usually aren't any. Hence the problem. And in order to solve it it seems to me that the best way to do it is to pull down the old building and put up a new one. Hence in the first article we basically stripped away all the old orders of notes, and now we are going to replace it with some new ones.

The email I received from the person asking me the question suggested she was trying to work from solo piano sheet music versions of the praise band songs and somehow get them to work in a praise band situation. Basically, though, what you end up doing is having to create your own arrangement on the spot, using some of the notes provided and discarding others, adding some new ones, etc.  I do that occasionally, but it is a pretty advanced activity, and it already assumes you have a more complex relationship with notes on a page than 'I see, I play.' So rather than approach things that way, I think it would be much easier to get rid of the written solo versions altogether and learn to use the same music (or lack thereof) the rest of the band is using. What I mean is that you might as well learn to improvise from a lead sheet. This is really not as hard as it sounds!

 

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What does a keyboardist do in a praise band?
posted May 5, 2010

I just received a question from someone who has been asked to play keyboard in a praise band. Basically, she is wondering how one goes about this.

Now playing in a band well, like anything else, will take plenty of time and effort. If you are like me, you like the idea that no matter what you may already know there is considerably more to learn, that the journey is long, and that you need to set goals, apply yourself, be ready to learn and experiment, and keep going even when discouraged.

On the other hand, Church is something that doesn’t encourage patience. Sunday comes every week, ready or not....

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michael@pianonoise.com

Music for 2010-11 at Faith UMC


August 22, 2010
"Authority"
(overview)

from "Three Preludes on Gregorian Melodies"
I. Lento

Ottorino Respighi



August 29, 2010
Genesis 1-2
"wonder"

"Let the Amen"

Marteau



September 5, 2010
Genesis 3
"sin"

"Snake"
Jake Heggie

"Durch Adam's Fall ist ganz Verderben"

J. S. Bach


September 12, 2010
Genesis 12-41
"covenant"

Fugue in Eb
"St. Anne"

J. S. Bach


September 19, 2010
Exodus 1-18
"deliverance"

Ich ruf' zu dir, Herr Jesu Christ

J. S. Bach


September 26, 2010
ASP Sunday

TBD


October 3, 2010
Leviticus 1-17
"atonement"

TBD


October 10, 2010
Joshua 1-6, Judges 1-16
"leadership"

TBD


October 17, 2010
1 Sam 1-31, 2 Sam 24, 1Kings 1-12
"security"

Variations on "Salve tu, Domine"

Mozart



October 24, 2010
1 Kgs 16-22, Amos, Isaiah 1-7
"warning"

Prelude, op. 13 n1
Alexander Scriabin



October 31, 2010
2 Kings 17-25, Jeremiah 8-39, Isaiah 28-30
"consequences"

Adagio for Strings
(organ arr.)

Samuel Barber